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‘I Became We’ turns one woman’s inner voice into an astonishing 16-person choir (Off Broadway review)
‘A Ghost in Your Ear’ injects spine-tingling terror right into your ears (Off Broadway review)
‘The Imaginary Invalid’ makes a mountain of laughs out of a Molière hill (Broadway review)
‘The Curious Case of Benjamin Button’ ages backward to a folksy British beat (Off Broadway review)
Billy Crystal’s ‘860’ rummages through the past for a comfy cardigan of a show (Broadway review)
‘King of the Yees’ takes an antic tour through Chinatown (Off Broadway review)
Julia Louis-Dreyfus crackles as a brittle Hollywood matriarch in ‘Other Desert Cities’ (Broadway review)
Caryl Churchill’s ‘Triumph’ views imperial Rome through a Foxy blond flack (Off Broadway review)
Todrick Hall does it all in the beautiful, bloated musical ‘Midnight’ and that’s the problem (Off Broadway review)
Duncan Sheik’s ‘Memoirs of Amorous Gentlemen’ substitutes quirk for kink (Off Broadway review)
