‘We’ll See’ revisits the Apple family amid the ongoing MAGA migraine (Off Broadway review)
Hitchcock’s ‘Rope’ gets a queerer, bloodier makeover that goes for shock over suspense (Off Broadway review)
‘Waiting for Lefty’ turns Clifford Odets’ Depression-era drama into a musical (Off Broadway review)
‘In the Heights’ speaks to a new generation in a gorgeously sung revival (Off Broadway review)
‘A Few Good Men’ remains a crackerjack courtroom drama (Broadway review)
‘The Heart’ sets a transplant to an EDM-lite beat but never gets under the skin (Off Broadway review)
‘I Became We’ turns one woman’s inner voice into an astonishing 16-person choir (Off Broadway review)
‘A Ghost in Your Ear’ injects spine-tingling terror right into your ears (Off Broadway review)
‘The Imaginary Invalid’ makes a mountain of laughs out of a Molière hill (Broadway review)
‘The Curious Case of Benjamin Button’ ages backward to a folksy British beat (Off Broadway review)
