Todrick Hall does it all in the beautiful, bloated musical ‘Midnight’ and that’s the problem (Off Broadway review)
Duncan Sheik’s ‘Memoirs of Amorous Gentlemen’ substitutes quirk for kink (Off Broadway review)
‘Anon’ dives into the QAnon rabbit hole but comes up mostly empty (Off Broadway review)
‘Good Time Charlie’ offers a warm, funny love letter to theater and chosen family (Off Broadway review)
‘Slam Frank’ lampoons wokeness while testing the limits of taste (Off Broadway review)
‘The Hairy Ape’ stokes a century-old class war with a star turn by Jon Beavers (Off Broadway review)
‘Kramer/Fauci’ turns an epic standoff over AIDS into a foam party (Off Broadway review)
‘Creation Stories’ finds fertile ground in a blocked writer longing for motherhood (Off Broadway review)
‘Degenerates’ brilliantly infiltrates the guts of incel culture (Off Broadway review)
‘School Girls: Or, the African Mean Girls Play’ finds an African setting for clique bait (Broadway review)
